Technology Research
Tangerine: iPhone Enables Streetwise Story – Bullet Point Summary
Shot entirely on three iPhone 5S smartphones, surprising audiences at its Sundance premiere.
Directed, co-written, and co-shot by Sean Baker, with cinematographer Radium Cheung.
Follows two transgender sex workers in L.A. on Christmas Eve; based on real-life experiences of the lead actors.
Story developed with input from the transgender community, emphasizing authenticity, humor, and realism.
Baker opted for iPhones due to budget constraints and a desire for a unique visual style.
Key technical tools used:
Moondog Labs anamorphic adapter: enabled widescreen 2.40:1 aspect ratio and cinematic flares.
FiLMiC Pro app: allowed manual control over focus, exposure, and color temperature.
Steadicam Smoothee: provided stabilization for handheld shots.
Entire film shot using a 24mm focal length, creating wide-angle, in-your-face close-ups.
Embraced a vibrant, saturated color palette, a departure from Baker’s usual muted tones ("pop vérité" style).
Minimal lighting gear used:
Just a few Rosco LitePads and cheap bounce materials.
No C-stands or conventional movie lights; mostly used available light.
Shot on real L.A. streets without blocking traffic or drawing attention, adding to the film’s realism.
Post-production included:
Color grading in DaVinci Resolve.
Use of Power Windows and added film grain for a cinematic finish.
The iPhone and minimal gear allowed for stealthy, flexible, and authentic filming.
Balanced social realism with entertainment, giving voice and visibility to a marginalized community.
Deadpool (2016) – Film Overview
Superhero film based on Marvel’s Deadpool character; part of the X-Men film series.
Directed by Tim Miller (his debut), written by Rhett Reese and Paul Wernick.
Ryan Reynolds stars as Wade Wilson / Deadpool; supported by Morena Baccarin, T.J. Miller, and others.
Plot: Wade Wilson becomes the antihero Deadpool, seeking revenge on the man who disfigured him.
Known for its R-rated tone, fourth wall-breaking humor, and graphic violence.
Production
Spent 10 years in development hell; greenlit with a modest $58 million budget.
Aimed to be faithful to the comics, in contrast to Deadpool's unpopular portrayal in X-Men Origins: Wolverine.
Focus on capturing the tone, humor, and violence of the source material.
Marketing Approach
Low marketing budget, so creative, internet-driven strategies were used.
Ryan Reynolds took a hands-on role, appearing in character as Deadpool in numerous promotions.
Deadpool’s costume was animated for facial expressions in marketing videos using VFX by Image Engine.
Promotional Campaign Highlights
Trailers
First trailer premiered at San Diego Comic-Con 2015, receiving huge fan acclaim.
Teasers mocked previous film adaptations and built anticipation.
“12 Days of Deadpool” campaign released daily content in December before a Christmas trailer drop.
Viral Videos & Skits
Halloween video: Deadpool questions kids dressed as X-Men.
Testicular cancer PSA aired during The Bachelor.
Holiday greetings (Chinese New Year, Australia Day), parody interviews, and Deadpool massages Conan O’Brien.
Cross-promotions with Manchester United, Betty White, and April Fools’ prank with Mario Lopez.
Billboards & Posters
Quirky billboards: e.g., one styled as a romance movie for Valentine’s Day.
“
L” emoji billboard received viral praise for its absurdity.
Social Media Strategy
Heavy use of Twitter, Facebook, Instagram, Snapchat, Tinder, and even Pornhub.
Reynolds feuded playfully with Hugh Jackman online.
Surge in tweets from 10–20k/day to 90k/day after early screenings.
Live & Experiential Events
Reynolds recreated Burt Reynolds’ bearskin rug pose to debut costume.
Surprise fan screenings in NYC and LA turned out to be full early film showings.
Super Bowl 50 events: taco truck, themed bar near the stadium, and Snapchat takeover.
Cross-Network TV Blitz
Ads ran across multiple Viacom networks to reach diverse audiences.
Shows included Teen Mom, Tosh.0, The Golden Girls, and Love & Hip Hop.
Reception of the Marketing
Widely praised as one of the most innovative film marketing campaigns ever.
Campaign was:
Relentless, creative, and self-aware—true to Deadpool’s tone.
Successful in connecting directly with fans.
Leveraged Reynolds' persona and commitment to the character.
Avoided over-revealing plot, focusing instead on humor and character.
Commentators praised it for breaking traditional marketing rules, engaging audiences in new ways.
social media marketing strategy for Avatar: The Way of Water:
The highly anticipated sequel to Avatar (2009), releasing Dec. 16 after 13 years, faces challenges like audience re-familiarization and sequel skepticism.
The marketing focuses on encouraging fans to re-watch the original, connecting emotionally with characters, building excitement, and creating urgency to see the movie in theaters.
Three target audience personas guide the campaign: Superfan Sam, Millennial Morgan, and Supermom Sally.
Primary platforms are Facebook and Instagram—Facebook for broad age reach and news/entertainment engagement; Instagram for younger, visually-driven audiences with organic and paid tactics.
Hashtag strategy: #Avatar and #TheWayOfWater on all posts, with additional hashtags on Instagram for wider reach.
Partnerships with lead actors (Sam Worthington, Zoe Saldana, Sigourney Weaver, Vin Diesel), producer James Cameron, and various influencers (millennial, sci-fi, mom-influencers) will provide authentic connections with fans.
The campaign has three phases: pre-release (re-release of original movie in theaters with ticket packages), in-theater, and home-release.
The brand voice is cutting-edge, inclusive, inspiring, and socially conscious, aiming to engage and excite audiences across platforms.
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